One way to overcome that sensation is to use a monitor with the LUT’s by Alister Chapman in one of his excellent articles.
In fact the picture looks so washed-out, it almost feels as if you’re doing something wrong. As we found in our the can reproduce 14.1 stops of light in terms of dynamic range. S-Log2 can be set in the preferences menu under Picture Profiles (page 5) and is called: “PP7”.Īs you already know, the thing about shooting in a “flat picture profile” is the dull image you see (which is especially true for Sony’s S-Log2). Feel free to download from the Vimeo page and experiment yourself: Sony’s S-Log2 gamma that was initially included in their high-end cameras now resides in the little, which makes it one of its big advantages for professional use over other consumer cameras. Last week I finished shooting / editing another short project with the and let me tell you, besides the toothache I had after the appointment at the dentist, it was pure pleasure to work with this camera! At cinema5D we get A LOT of requests from our readers to provide some daytime samples of Sony’s A7s footage with the flat picture profile (S-Log2). Here’s a closer look at unraded / graded footage. Out in field work we continue to be impressed. The new is a very powerful camera. With Sony’s professional S-Log2 gamma curve built-in, we get a new level of quality in a consumer camera.
We have also made additional preset LUTs available for download. Yes S-Log2+SGamut2 are what my current LUT sets are made for. Click on the links below to download the LUT.
0 kommentar(er)
